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His wife left him and fate took him to a lifestyle he had never thought of. Although the real story is somewhat different from the plot of the movie, you can still feel that Chris Gardner is a man of courage, perseverance and faith. In the movie, he is a hard-working, caring and loving father, who struggles financially to provide for his wife and son. It is based on the story of Chris Gardner, a man who loses everything, but eventually gets everything. "It was like this was my opportunity to pay homage to everyone that I ever loved.This is one of my favorite movies ever, and this is certainly a movie you do not want to miss. A former backup singer who grew up listening to Motown, Davis spent months researching girl groups to outfit the Raylettes in "Ray." She drew on memory and imagination for "Dreamgirls." "I had to make little Garanimal boards or I'd be lost," Davis said.ĤIt was easy to find inspiration for the stars' styles, though. ("I had to," she said.) Then she plotted the arc of each character on posterboard, pinning sketches and fabric swatches by each one's name. To keep herself organized through hundreds of costume changes, Davis memorized the script. Through clothing, "She tracks the period and tells the story of what's happening with each character." "Sharen is as much a storyteller in this movie as anyone else," he said. That instinct was indulged in high style when it came to "Dreamgirls." Davis called on a team of illustrators, seamstresses, makeup artists, hairstylists and wigmakers to help her realize each show-stopping "Dreamgirls" look.Ĭostumes are crucial to the story, said director Bill Condon, and Davis didn't disappoint. "To underplay the '80s is a real task," she said, adding that she had to fight her natural attraction to fabulous fashions. As for Jaden Smith, Smith's real-life son who plays alongside him in the movie, Davis had his puffy jacket custom made, but she stuck to the dullest color palette she could. She designed each of Smith's four suits for the film. Where costumes define the characters in "Dreamgirls," they're little more than background in "The Pursuit of Happyness," Davis said. To do them simultaneously and compartmentalize, you have to be an incredibly organized individual and have a great team working behind you." "You either have too much to deal with or too little. "In either situation, your creativity is working on all cylinders," Jones said. What Davis calls inspiring would be enough to drive most designers crazy, said Kevin Jones, costume historian for L.A.'s Fashion Institute of Design and Merchandising.ģThe two movies call for opposite wardrobe techniques: from dreary and spare to colorful and over-the-top, from limited costume changes to new looks for each scene. "I got to do the balance of both worlds, this high-glam world to this very low-end world.
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"It actually expanded me," said Davis, 49. When she wasn't searching for "the dullest Members Only jacket I could find," she was sketching the colorful dresses in "Dreamgirls." For this film, set in the early 1980s, Davis had to limit Smith's costumes to "four suits, eight shirts, six ties," she said.
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In "The Pursuit of Happyness," Will Smith plays an often-homeless aspiring stockbroker whose entire wardrobe dangles from a hanger he carries with him everywhere. Davis also designed dozens of flashy suits for Jamie Foxx and Eddie Murphy, taking the characters through the swinging '60s and into the disco-drenched '70s. She envisioned the colors, styles, fabric, hair and makeup for the ever-changing looks of the Dreamettes, a singing trio played by Beyonce Knowles, Jennifer Hudson and Anika Noni Rose. Her mind's still buzzing about a year's work that included her most beloved - and most difficult - projects yet.ĢFor "Dreamgirls," she built 120 dresses from the ground up. But Davis, who earned an Oscar nod two years ago for her work in "Ray," isn't thinking about awards.